Musicians and Creative Commons
September 3rd, 2007 by Nico Ramon
The first time I started to research the whole Creative Commons licensing system was when I started this blog. I am planning to publish music on this blog so I want to be sure about the copyright issues. For starters let’s take a closer look at UK copyright law.
To get copyright protection to your song you don’t need to register it anywhere. A song is legally protected when it is created in tangible form. After you’ve managed to record your song or write it in the form of musical notation you get some exclusive rights to your work. These rights are as follows:
- To produce copies or reproductions of the work and to sell those copies (including, typically, electronic copies)
- To import or export the work
- To create derivative works (works that adapt the original work)
- To perform or display the work publicly
- To sell or assign these rights to others
- To transmit or display by means of digital audio transmission
Now remember that a song and a sound recording are different legal entities with different kind of protections. Sound recording is the actual physical product while the song is the composition and lyrics. When you sign a record deal with a record company you are usually required to sign over the rights to your recording (phonographic copyrights). However, when you sign a music publishing deal you give the publisher right to exploit your songs copyrights. A song remains protected by law 70 years after the death of the songwriter. Phonographic copyright, however, expires in 50 years after the year when the recording was first broadcasted or on sale. Like the holder of songs copyrights the holder of records copyrights has also some exclusive rights.
- The right to object to various forms of use of the sound recording
- Broadcasting and public performance rights
- The reproduction right
- The distribution right
- The hiring and lending right
Now the thing Creative Commons licenses do is give away some of your exclusive rights, it’s up to you which ones and how many. But why would you want to give away (waive) some of your precious rights, with which you possibly make your living? The big idea behind Creative Commons is to give more freedom to content creators and users. Depending on the type of Creative Commons license the users of Creative Commons licensed content don’t necessarily have to ask permission from the author. This kind of system encourages a free culture where people share, receive and build upon each others’ work.
Creative Commons licenses have a big fundamental problem though: you actually don’t need to license your work under Creative Commons license if you want to waive your rights. You can waive any of your exclusive rights without involving Creative Commons in any way. You really don’t need another middleman in the mix to confuse you more about the copyright issues. However, the actual good aspect that Creative Commons offers is community. They have a large and growing catalog of “some rights reserved” content and to get in that catalog you have to license your work under Creative Commons license. The catalog might have some promotional value and also for creators, who use the “noncommercial” creative commons license, there might be some potential revenue in the form of licensing your work for commercial use.
Personally I think that musicians, who want to make money, should not license their songs with any Creative Commons license, because the revenue potential is low and there are much more efficient promotional platforms that don’t require you to give away your exclusive rights. For starters go to Myspace.com, create your artist/band space and get much more visibility than Creative Commons can ever dream of providing.
Sources:
Mustard - Music Business Resources For Students
Bemuso - Music Copyright
Wikipedia - Copyright
Creative Commons

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“Creative Commons licenses have a big fundamental problem though: you actually don’t need to license your work under Creative Commons license if you want to waive your rights.”
While this is undeniably true, I think you may have misunderstood the role of CC licences in the sharing of creative works. In order to waive any rights in this way, those who wish to make use of your work downstream may well require some sort of legally binding assurance that said rights have been waived, and CC are one of few organisations (the only one even?) to provide the legal tools (in the form of off-the-peg licence agreements) to ensure this. CC aren’t a middleman in any sense, and while they still hold some problems for musicians (It’s not possible in many countries to register a CC-NC licenced work with a collecting society to collect royalties on commercial uses of that work, for instance), comparing CC licencing to distribution via myspace is not a like-for-like comparison. There are many ways to use CC, whether for promotional reasons or out of principle, and many case studies of those who have gained commercial success through liberally licenced work. There’s still work to be done, but please don’t discount CC just yet…
Tim Cowlishaw said this on November 13th, 2007 at 6:32 pm
[…] Musicians and Creative Commons | Wicked Whammy - Music Needs Management Article about the use of CC licences for music, that’s pretty critical in nature. However, it seems to be based on a bit of a misunderstanding - CC is not a middleman in any sense, but a provider of legal tools to allow the sharing of creative work, and t (tags: cc creativecommons music creative commons copyright licencing distribution business) […]
links for 2007-11-13 at My Continuing Adventures in Technology… said this on November 13th, 2007 at 8:24 pm
Tim, thanks for the creative feedback and I’ve got to say you make some insightful points. Creative Commons offers indeed an excellent way for content creators to inform the content users about the different ways you can use the shared content legally. On my article I explored also the aspects and possibilities of Creative Commons as an online social community, although I realize that the core competence of CC is providing content licensing tools.
I do believe that Creative Commons licenses can also be very beneficial in a promotional and financial sense for musicians. Think about a scenario, where somebody is making a non-commercial video show for YouTube, finds your song from ccMixter (Creative Commons music library) and decides to use your song as the theme music for the show. In a couple of weeks the show is among the most watched shows on YouTube and among the viewers is a Hollywood movie producer, who wants to have the theme music on the next movie he is working on. In this sense ccMixter can be considered as a music promotion platform and in this sense you can compare it to MySpace, which is also a music promotion platform.
Nico Ramon said this on November 15th, 2007 at 11:28 pm